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Hyunsoo Joo Cello Recital



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*Cello: ÁÖÇö¼ö
º¸½ºÅæ ´ëÇб³(Boston University) ¹Ú»ç°úÁ¤(Doctor of Music Art)ÁßÀΠÿ¸®½ºÆ® ÁÖÇö¼ö´Â
¼÷¸í¿©ÀÚ´ëÇб³ Á¹¾÷ ÈÄ µµ¹Ì, ÄÚ³×ƼÄÆ ÁÖ¸³´ëUniversity of Connecticut)¿¡¼­ ¡®Jone and jean Lernard Scholarship¡¯ °ú ±³¼ö ÃßõÀåÇбÝÀ» ¹ÞÀ¸¸ç ¿¬ÁÖÀÚ°úÁ¤(Performer¡¯s certificate)°ú
¼®»çÇÐÀ§(Master of Music in Performance)¸¦ ÃëµæÇÏ¿´À¸¸ç ÀÌ°­È£±³¼ö¸¦ »ç»çÇÏ¿´´Ù.
´º¿å¿¡¼­ °á¼ºµÈ ¡®Hyun Piano Trio¡¯ÀÇ Ã¢´Ü¸â¹ö·Î¼­ ´º¿å°ú ´ºÁ®Áö µî¿¡¼­ ²ÙÁØÈ÷ È°¹ßÇÑ ¿¬ÁÖÈ°µ¿À» ÇØ¿Â ±×´Â ÇÐâ½ÃÀý Benton Museum of Art¿¡¼­ ÃÊûµÇ¾î ´Ù¼öÀÇ ¼Ö·Î¿¬ÁÖ ¹× è¹ö ¿¬ÁÖ¸¦ ÇÏ¿´À¸¸ç, ¡®Raymond and Beverly Sackler Music Composition¡¯ÀÇ Prize WinnerÀÎ ¹Ì±¹ÀÛ°î°¡ °â ÇǾƴϽºÆ® Nathan CurrierÀÇ °î¿¡¼­ ÿ·Î ¼Ö¸®½ºÆ®·Î¼­ Storrs, CT ¿ÍStamford, CT¿¡¼­ ¿¬ÁÖÇÏ´Â ±âȸ¸¦ °®±âµµ ÇÏ¿´´Ù. ¶ÇÇÑ, ÄÚ³×ƼÄÆ ´ëÇпø°úÁ¤ Áß Çù¿¬ÀÚ ¿Àµð¼Ç¿¡¼­ "Lovely full tone, very musical and lyrical performance"¿Í "very expressive playing and also good technical control" ¶ó´Â ½É»çÆò°ú ÇÔ²² À½¾Ç´ëÇÐ ´ëÇпø»ýÁß¿¡¼­ ÃÖ°íÁ¡À¸·Î ¿ì½ÂÇϸç UConn Symphonic Orchestra¿Í ¿¬ÁÖÇÏ¿´´Ù.
ÀÌ ¹Û¿¡µµ ¹Ì±¹ ¸ÞÀÎÁÖ¿¡¼­ ¿­¸®´Â ¡®International Music Artist Institute¡¯ Âü¿©¸¦ ÅëÇØ ¿©·¯ À½¾ÇÀεé°ú ¿¬ÁÖÇÏ¿´À¸¸ç ÀçÇнÃÀýºÎÅÍ Timothy Eddy(Julliard School of Music), Marcy Rosen(Manes School of Music), Jeffery Solow(Temple University), Marc Johnson(Boston University), David Ying (Eastman School of Music), Amit Peled(Peabody Conservatory), Terry King(Hartford University)µî ¹Ì±¹ÀÇ Àú¸íÇÑ Ã¿¸®½ºÆ® »Ó¸¸ ¾Æ´Ï¶ó Orion String Quartet, Pacifica String Quartet, Ying String Quartet, Ida Kavafian(Yale School of Music), Ik-Hwan Bae(Indiana University), James Dunham(Rice University), Eric Rosenblith(New England Conservatory, Longy Music school) µî°ú ÇÔ²² ¼Ö·Î è¹ö ¸¶½ºÅÍŬ·¡½º¿¡µµ Âü¿©, ¿¬ÁÖÇÏ¸ç ´Ù¾çÇÑ ºÐ¾ß¿¡¼­ À½¾ÇÀû ±â·®À» ½×¾Æ¿ÔÀ¸¸ç ¿ÃÇØ ´º¿å ´ºÁ®Áö¿Í º¸½ºÅæ¿¡¼­ ¼Ö·Î ¸®»çÀÌƲ°ú è¹ö¿¬ÁÖ¸¦ ¾ÕµÎ°í ÀÖ´Ù.

*Piano: Çö¿µ°æ
-¿¹¿ø, ¼­¿ï¿¹°í, Çѱ¹¿¹¼úÁ¾ÇÕÇб³ À½¾Ç¿ø ¿¹¼ú»ç ÇǾƳë°ú, ¿¹¼úÀü¹®»ç ¹ÝÁÖ°ú Á¹¾÷
-¸ÇÇÏÆ° À½´ë ¹ÝÁÖ°ú ¼®»ç, Àü¹® ¿¬ÁÖÀÚ°úÁ¤ Á¹¾÷
-¾Æ¸£Åõ¸£ ¹ß»ï µà¿À ÄÄÇÇƼ¼Ç 1À§ ÀÔ»ó
-ÄÚ¸£Çª½º Å©¸®½ºÆ¼ ±¹Á¦ ÄÄÇÇƼ¼Ç ÃÖ°í ¹ÝÁÖÀÚ»ó ¼ö»ó
-¿ö½ÌÅÏ Çʸ³½º Ä÷º¼Ç, ½ÃÄ«°í µ¥ÀÓ ¸¶À̶ó Ç콺 ¸Þ¸ð¸®¾ó ½Ã¸®Áî ¸®½ÎÀÌƲ ¿¬ÁÖ
-½ºÀ§½º ·ÎÀÜ ÄÁ¼­¹ÙÅ丮 ¾ÆÄ«µ¥¹Ì ¼ö·á
-¼­¿ï ±¹Á¦ À½¾ÇÄáÄí¸£, ÁִϾî Â÷ÀÌÄÚÇÁ½ºÅ° ÄÄÇÇƼ¼Ç, À±ÀÌ»ó ±¹Á¦ ÄÄÇÇƼ¼Ç, ½ºÀ§½º Ƽº¸ ¹Ù°¡
¹ÂÁ÷ ¾ÆÄ«µ¥¹Ì, ´ë°ü·É ±¹Á¦ À½¾ÇÁ¦, ¾Ëµµ Æĸ®¼Ò ±¹Á¦ ÿ·Î ÄÄÇÇƼ¼Ç, Ä÷ÅÝ ÇÁ·Î±×·¥ °ø½Ä ÇǾƴϽºÆ®
-Á¤°æÈ­, ½Çºñ¾Æ ·ÎÁ¨¹ö±× µî ½ºÆ©µð¿À ¹ÝÁÖÀÚ
-ÇöÀç: Çѱ¹¿¹¼úÁ¾ÇÕÇб³ À½¾Ç¿ø, ¼º½Å¿©´ë ¹ÝÁÖÇаú Ãâ°­



¡á Ludwing van Beethoven
- Sonata for Cello and Piano No.5 in D Major, Op. 102/2
I. Allegro con brio
II. Adagio con molto sentimento d'affetto -attaca:
III. Allegro ¡ª Allegro fugato

¡á George Crumb
- Sonata for Solo Cello
I. Fantasia: Andante espressivo e con molto rubato
II. Tema pastorale con variazioni
III.Toccata: Largo e drammatico - Allegro vivace


INTERMISSION


¡á Dmitri Shostakovich
- Sonata for Cello and Piano in d minor, Op.40
I. Allegro non troppo
II. Allegro
III. Largo
IV. Allegro

¡á Gasper Cassado
- Requiebros